What I found most interesting in yesterdays lesson was exploring how the start of a crime narrative can affect the rest of the novel, depending on the events at the start of the novel. Depending on whether the novel is from the criminal's perspective, a victim's or say a detectives point of view can determine the level of characterisation involved in the story, the level of sympathy or even empathy towards the characters from the audience, or the sequence in which the plot evolves.
For example, if the narrative starts at the discovery of the crime, the audience's focus is on the plot of the story and spotting clues to find the criminal. Less emphasis is spent on the actual characters, and more on the suspense of not knowing who the criminal was. However, if the narrative begins on the discovery of the criminal, the audience already know who has committed the crime; therefore the focus revolves around why the crime is committed, and the morality of the criminal is highlighted. I found this interesting because this is the first time I'd thought about how easily a crime novel can branch off and create a different experience just from the angle of perspective, or the sequence of the narrative.
As the main theme of the lesson was on sequence and time, I also enjoyed looking at extracts from the 'Time
Traveler's Wife' and '
Memento'. I had never studied
intricately how the issue of time can be so significant in a novel such as 'The Time
Traveler's Wife'. The sequence of the book reflects Henry's darting around in time, and although it was confusing to get my head around the way she could know him before he knew her, I could also see how this effect only arouses more the feelings of sympathy for both characters.
Also, looking at '
Memento' which reflects the same issue of darting around in time, accentuates the audiences sympathy for the main character, as the feeling of not knowing how or why he finds himself in certain situations makes the audience empathise with the character and the effect of the film is much more
noticeable as it avoids boredom and
frustration of the audience knowing what the character doesn't.
The last part of the lesson which I found especially
interesting was looking at
summaries of three different novels set in three different time periods; past, present and future. Although I have already read 'On
Chesil Beach', it was
interesting to think about how the time period affected the issues of sex, and to think how I would react if someone shared the same fear of sex today as Florence did in the 1960's. Also, looking at 'Brave New World' got me thinking about the possibility of the future's opinion of our way of life; whether they will refer to it as 'savage' as they do in this
novel.
Sooo yeah :)